The interrelationship between the structure and dynamics of Anatolii Moisienko’s poetry (the role of the first and last lines of the text)

Abstract

Introduction. This article examines a pressing issue in contemporary linguistics: the dynamics of poetic text as a holistic system. Despite advances in textual studies, the question of comprehensive analysis of the dynamic components of poetry, especially in the works of contemporary authors, remains insufficiently explored. The aim of the study is to comprehensively analyze the relationship between the first and last lines of A. Moisienko's poetic works and to determine their role as key dynamic components. Understanding these mechanisms will allow for a deeper interpretation of the author's idiolect and the aesthetic impact of the poetic word.

Methods. To achieve the set goal, a comprehensive approach was used, including a descriptive method for systematizing linguistic units, a continuous sampling method for selecting factual material, a linguo-stylistic analysis for interpreting artistic means, and a contextual analysis for studying their meaning in the overall structure of the text. The main material of the study is the poetry by A. Moisienko.

Results. The study showed that the dynamics of A. Moisienko's poetic text is realized at all linguistic levels. At the phonetic level, sound repetitions (alliteration, assonance) create a rhythmic pattern and enhance the emotional coloring. At the lexical-semantic level, neologisms and morphemic features are key factors in dynamization, enriching content and form. Syntactic constructions and grammatical transformations effectively model the movement and change in the nature and inner state of the lyrical hero, as well as philosophical reflections. Punctuation marks play an important role in conveying intonation dynamics.

Conclusions. The study confirms that the interconnection between the first and last lines in A. Moisienko's poetry is a conscious artistic technique that ensures the semantic and emotional development of the text. Compositional techniques (circular repetition, anaphora, and transformation) are the main tools for creating the rhythmic and semantic organization of works. The development of key metaphorical images of the garden, snow, road, etc., from their initial presentation to their multi-layered transformation reflects the deep philosophical basis of the author's poetry. The results obtained can be used for further studies of contemporary Ukrainian poetics.

Information about the author:

Valentyna Filiniuk – Candidate of Philological Sciences, Associate Professor, Associate Professor of the Department of Ukrainian Language and Literature, Khmelnytskyi Academy of Humanities and Pedagogy

Email: amicus.solaris@gmail.com